roots group 2

This is music that says America…proud sounds, sometimes raucous and rubbery, spiritual, occasionally brash, and consistently brimming with joy.****1/2 AllAbout Jazz 

From the Press Release: On saxophonist/composer Geof Bradfield’s new CD Our Roots his chordless quintet delves into the sacred and profane music of the rural South. The ensemble premiered the music at the 2014 Hyde Park Jazz Festival and a few months later gave its first European performance at the Made in Chicago Festival in Poznan, Poland. Joining Bradfield on Our Roots are trumpeter Marquis Hill (winner of the 2014 Thelonious Monk Trumpet Competition), trombonist Joel Adams, drummer Dana Hall, and bassist Clark Sommers, all long time collaborators on the vital Chicago jazz scene. Sommers, Bradfield and Hall form the freewheeling trio Ba(SH), which released its first CD on Origin in 2013. That same year, Adams and Sommers contributed to Bradfield’s critically acclaimed suite Melba! for the labelHill and Bradfield are the frontline of Greenleaf recording artist Matt Ulery’s chamber jazz quintet, Loom. Inspired by Clifford Jordan’s These Are My Roots: The Music of LeadbellyOur Roots offers new interpretations of four pieces from that 1965 recording. “I first heard Clifford in person alongside Von Freeman at the Green Mill in ’91,” says Bradfield. “Though completely distinctive, they both embodied this combination of sophistication with gutbucket that defines the great Chicago tenors.” Bradfield and company summon the spirit of Jordan’s original recording, but don’t necessarily adhere to the letter: the trio rendition of “Black Girl,” for example, owes as much to Albert Ayler as to Jordan, while the harmolodic conversation between trumpet and tenor on “Yellow Gal” evokes Ornette Coleman. Alongside the Lead Belly pieces are Bradfield’s arrangements of spirituals from the Georgia Sea Islands and songs by Texas blues singer and itinerant preacher Blind Willie Johnson. Three new pieces by Bradfield round out the album. “Meshell,” “Clinton Hill,” and “Mbira Song,” are dedicated respectively to Meshell Ndegeocello, Randy Weston, and Oliver Mtukudzi, all master musicians with the deepest roots,” writes Bradfield in the CD notes. “I’ve had the good fortune to play a little with each of them, and they all had a powerful impact on my musical thinking.” Purchase on Bandcamp, Amazon, or Origin Records.



If you can’t make it to the Chicago Jazz Festival on August 4th or catch us in Seattle or Canada on tour later in September, you can still hear Spin live on “Starting From Zero,” recorded at Constellation in Chicago.

Featuring Chad McCullough (trumpet), Clark Sommers (bass), Kobie Watkins (drums) and Geof Bradfield (tenor); recorded by Brian Schwabb.

I’m thrilled to see my friend Marquis Hill win the Thelonious Monk trumpet competition. He is not only a fantastic musician, but also a truly humble and beautiful human being. I can’t imagine this happening to a more deserving person- congrats Marquis! I’m fortunate to work with Marquis in various contexts, including Matt Ulery’s Loom. Check out Matt’s record on Greenleaf here:

Marquis is also part of my latest  quintet along with Dana Hall, Clark Sommers and Joel Adams.  Here’s a preview (rough mix) of our forthcoming CD, Our Roots,  that features Marquis on a tune of mine, “Meshell,” dedicated to the great Meshell Ndegeocello. Special thanks to Chad McCullough for that mute. Look for the CD in 2015!

Spin Front Cover

The Spin Quartet (Chad McCullough, Clark Sommers, Kobie Watkins and myself) is headed to the Northwest this week to celebrate the release of our new Origin Records CD, In Circlesat the Earshot Jazz Festival and other venues. After that, we’ll be in in Baltimore and Brooklyn for a couple East Coast dates (with drummer Jon Deitemyer) and will finish up close to home in South Bend, Indiana.  Click below for a cool tour poster of all the dates to share with your friends (it’s so cool it might take a couple secs to load, but it’s worth the wait!):